Showing posts with label Poe. Show all posts
Showing posts with label Poe. Show all posts

Wednesday, July 12, 2023

Psalms of Love & Romance

 

Chapter 9


Psalms of Love & Romance



A female cousin of mine once remarked to me: "You know, Jordan, I have such a hard time falling in love!"

I marveled at her comment because I have always been the exact opposite; I have always been overly prone to falling in love too easily

I became enamored by ROMANCE at a very young age—as early as second grade (age 8)! In fact, with my steel trap of a memory, I can readily return to grade two in my mind and name you every girl and woman I ever had a significant crush on from second grade... right on up to when I met my wife, Lina, at age 27!

Part of the early onset of this passion for romance stemmed from the fact that my father and mother were both hopeless romantics. For example, I'll never forget accompanying my dad in August 1991 as he rented a fancy hotel room and then prepared it with flowers and goodies in preparation for he and my mother's 25th wedding anniversary. That act of his, and others like it over the years planted seeds that would spring into similar actions on my part much later in my marriage to Lina.

I was further influenced by my five older siblings, who ranged from four (4) to twelve (12) years older than me. They were all dating seriously and/or getting married when I was in elementary, middle, and high school, so I was continually seeing romance bloom among my older siblings and their adored partners—long before I was old enough to date.  

I was also impacted by literature, movies, and television. Many of my favorite movies, such as Robin Hood: Prince of Thieves, First Knight, Everafter, and The Count of Monte Cristo all had love stories forming key components of their various plots, something that was certainly not lost on me.   

Click HERE to read my blog post about Robin Hood: Prince of Thieves

Click HERE to read my blog post about The Count of Monte Cristo

Suffice it to say, from the age of eight-or-nine-on-up, I was more-or-less obsessed with romance in one way or another. For me, thoughts of romance were not only exciting and mysterious, but motivating as well.

In other words, thoughts and feelings of romance drove me to succeed, excel, and achieve in all areas of my life.   

For example, the epic "Robin Hood Group Date" that my friends and I organized and then carried out on Saturday, August 1, 1998, was motivated by one gal in particular. Like so many other girls and women, she didn't fall for me the way I fell for her, but I must thank her for providing me with the drive to organize and carry out that memorable production, which was enjoyed by 18 couples and several supporting cast. 

Click HERE to read more about our epic Robin Hood group date held on my dad's land in Monticello, Utah, on Saturday, August 1, 1998.  

Given these lifelong proclivities and propensities, it is no surprise that romance would find its way colorfully and prolifically into my canon of personal poetical works.

Of all the wondrous adventures and experiences one can have in life, few (if any) can match, much less surpass, the magical experience of romance—and especially when that romance is authentic and mutually-reciprocated. It's worth differentiating between one-sided and dually-shared romance because I have a great deal of experience with both; and my poetry was also inspired by both!

For me, there is just nothing else quite like the rapturous experience of having an authentic crush on, or being in love with a girl (when I was a boy) or a woman (when I was a man). And having that woman love me back just as tenderly and passionately is mystical beyond expression. That is what has made marriage so wonderful for me.  

Now, when it comes to being "properly in love" to borrow the words of Piers Morgan (1), I can honestly say that that truly magical experience has only happened ONCE—and that was, is, and ever will be with my Lina Marie.

With Lina Marie on South Beach
March 2007
However, I didn't meet Lina until I was 27 years old, and I'd be lying if I claimed I had not had scores of different "crushes"—some of them very deep, sincere, and prolonged—in the two decades before I met Lina. However, I cannot honestly say I was never properly in love with any of these girls (when I was a boy) or women (when I was a man) because none of these previous associations ever blossomed into a serious romantic relationship. Indeed, Lina is the only girl or woman with whom I have ever enjoyed that ultimate relationship status.  

Despite this fact, I confess that there were many others who, had they given me even half-a-chance, I might very well have been married long before I ever met Lina! At the very least, I would have had one (or more) serious romantic relationship along the way. But, as fate would have it, Lina was truly the only ONE for me.  

I am one who firmly believes that Almighty God plays a prominent role in the events in our lives—and especially the KEY events of our lives. Only HE knows the full story behind why things worked out with Lina and why they didn't work out with so many others.

All I know for sure is that I am so glad it all worked out the way it did!

Lina is my closest friend, and the romantic love of my life. I adore her. She has been, is, and will ever be one of God's choicest blessings to me. Nevertheless, before I met Lina, I went on several hundred dates with 100 different girls/women, beginning at the age of 16.

That's right... Lina was the magic number #101.

The next two chapters share romantic sonnets (Chapter 10) and poems (Chapter 11) I wrote before I met Lina. The chapter following (Chapter 13) will share poems I wrote either after I met Lina, and were therefore specifically inspired by her, or that were inspired along the way by "the woman I would someday marry," and would eventually be dedicated and gifted to Lina.  

Before sharing my own attempts at romantic poetry, I'd like to reprint a few of my all-time favorites from great poets of yesteryear. I begin with one by Walt Whitman, who succinctly summarizes both my experiences with and my gratitude for all the girls (when I was a boy) and women (when I was a man) who motivated me to think, say, do, be, and believe BIG—leading all the way up to the nonpareil pinnacle of my dating experiences—my wife to be: Lina Marie Tucker.

Some of these motivations sprang from the hope and anticipation of potential romance with a whole bunch of different gals over the years. And some of these motivations sprang from the smart and sting of rejection, which is something I experienced most of the time until I met Lina.      

Click HERE to read about Dr. JJ's Rocky Road of Romance


Old Uncle Walt
1819-1892
Sometimes with One I Love

Sometimes with one I love I fill myself with rage for fear I 
            effuse unreturn'd love,
But now I think there is no unreturn'd love, the pay is certain
            one way or another,
(I loved a certain person ardently and my love was not return'd,
Yet out of that I have written these songs.)

Walt Whitman
      (1819-1892)


Robert Browning
1812-1889
Summum Bonum (2)

All the breath and the bloom of the year in the
             bag of one bee:
     All the wonder and wealth of the mine in the
             heart of one gem:
In the core of one pearl all the shade and the
             shine of the sea:
     Breath and bloom, shade and shine,—wonder,
             wealth, and—how far above them—
                 Truth, that's brighter than gem,
                 Trust, that's purer than pearl,—
Brightest truth, purest trust in the universe—
             all were for me
                 In the kiss of one girl.

Robert Browning
           (1812-1889)


Love's Philosophy

The fountains mingle with the river
   And the rivers with the ocean,
The winds of heaven mix for ever
   With a sweet emotion;
Nothing in the world is single;
   All things by a law divine
In one spirit meet and mingle.
   Why not I with thine?—

See the mountains kiss high heaven
   And the waves clasp one another;
No sister-flower would be forgiven
   If it disdained its brother;
And the sunlight clasps the earth
   And the moonbeams kiss the sea;
What is all this sweet work worth
   If thou kiss not me?  

Percy Bysshe Shelley
           (1753-1844)


Edgar Allen Poe
1809-1849
Annabel Lee

It was many and many a year ago,
     In a kingdom by the sea,
That a maiden there lived whom you may know
     By the name of Annabel Lee;—
And this maiden she lived with no other thought
     Than to love and be loved by me.

She was a child and I was a child,
     In this kingdom by the sea,
But we loved with a love that was more than love—
     I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
     Coveted her and me.

And this was the reason that, long ago,
     In this kingdom by the sea,
A wind blew out of a cloud, by night
     Chilling my Annabel Lee;
So that her high-born kinsman came
     And bore her away from me,
To shut her up in a sepulchre
     In this kingdom by the sea.

The Beautiful Annabel Lee
And other vestiges of Poe's poetry
The angels, not half so happy in Heaven,
     Went envying her and me:—
Yes! that was the reason (as all men know,
     In this kingdom by the sea)
That the wind came out of the cloud, chilling
     And killing my Annabel Lee.

But our love it was stronger by far than the love
     Of those who were older than we—
     Of many far wiser than we—
And neither the angels in Heaven above,
     Nor the demons down under the sea,
Can ever dissever my soul from the soul
     Of the beautiful Annabel Lee:—

For the moon never beams without bringing me dreams
     Of the beautiful Annabel Lee;
And the stars never rise but I see the bright eyes
     Of the beautiful Annabel Lee;
And so, all the night-tide. I lie down by the side
Of my darling, my darling, my life and my bride
     In her sepulchre there by the sea—
     In her tomb by the sounding sea.  

Edgar Allen Poe
           (1809-1849)


William Shakespeare
1564-1616
Sonnet XVIII

Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date;
Sometimes too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometimes declines,
By chance, or nature's changing course, untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to Time thou grow'st.
   So long as men can breathe, or eyes can see,
   So long lives this, and this gives life to thee.  

William Shakespeare
           (1564-1616)


William Wordsworth
1775-1850
She Was a Phantom of Delight

She was a Phantom of delight
When first she gleamed upon my sight;
A lovely Apparition, sent
To be a moment's ornament;
Her eyes as stars of Twilight fair;
Like Twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful Dawn;
A dancing shape, an Image gay,
To haunt, to startle, and way-lay.
I saw her upon nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin-liberty;
A countenance in which did meet
Sweet records, promises as sweet;
A Creature not too bright or good
For human nature's daily food;
For transient sorrows, simple wiles, 
Praise, blame, love, kisses, tears, and smiles.
And now I see with eye serene
The very pulse of the machine;
A Being breathing thoughtful breath,
A Traveller between life and death;
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect Woman, nobly planned,
To warn, to comfort, and command;
And yet a Spirit still, and bright
With something of angelic light.  

William Wordswoth
           (1775-1850)


Dr. JJ

July 12, 2023
Palm Beach Gardens, Florida, USA


Author's Note: This is the 333rd Blog Post Published by Freedom Focused LLC since November 2013 and the 155th consecutive weekly blog published since August 31, 2020.   

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Notes:

1. From 2011-2014, Piers Morgan hosted a television show on CNN called Piers Morgan Live. On this show, he would routinely ask his guests if they had ever "properly been in love." This nightly schtick unique to his show would promote repartee regarding the guest's romantic memories and relationships. 

2. Summum Bonum is a Latin term that means the "Ultimate Good." 

Wednesday, June 14, 2023

Psalms of Life and Leadership


Chapter 5


Psalms of Life & Leadership



A Psalm of Life

WHAT THE HEART OF THE YOUNG
MAN SAID TO THE PSALMIST

TELL me not, in mournful numbers,
    Life is but an empty dream!
For the soul is dead that slumbers,
    And things are not what they seem.

Life is real! Life is earnest!
    And the grave is not its goal;
Dust thou art, to dust returnest,
    Was not spoken of the soul. 

Not enjoyment, and not sorrow,
    Is our destined end or way;
But to act, that each to-morrow
    Find us farther than to-day.

Art is long, and Time is fleeting,
    And our hearts, though stout and brave,
Still, like muffled drums, are beating
    Funeral marches to the grave.

In the world's broad field of battle,
    In the bivouac of Life,
Be not like dumb, driven cattle!
    Be a hero in the strife!

Lives of great men all remind us
    We can make our lives sublime,
And, departing, leave behind us
    Footprints on the sands of time;—

Footprints, that perhaps another,
    Sailing o'er life's solemn main,
A forlorn and shipwrecked brother,
    Seeing, shall take heart again.

Let us, then, be up and doing,
    With a heart for any fate;
Still achieving, still pursuing,
    Learn to labour and to wait (1).   


Life is indeed real and earnest, and, as I have discovered over time, can even be wonderful beyond our most creative anticipations when lived well over time. Nevertheless, there exists in this world "an opposition in all things" (2). Thus, in the famous words of M. Scott Peck, M.D.: Life is Difficult (3).

No person's journey is the same. We are each allotted a unique number and combination of mortal trials to work through. Some suffer physical maladies and pain. Others confront psychological, emotional, or spiritual demons. All face the challenge and opportunity of overcoming self. In the words of the great spiritual leader, David Oman McKay: "The greatest battle of life is fought within the silent chambers of your own soul."  

In this chapter I share psalms (poetry) of life and leadership—and more particularly, of personal leadership or self-leadership, the forerunner of Self-Action Leadership (SAL). For SAL is the means—in conjunction with serendipitous grace—by which we can allow that Higher Power to make something majestic out of our lives.  



The Finish Line

The day was lost, as many had—
Another gone, a tragic fad.

Lost, yet I, not really through,
Still saw some hope to start anew,
And climb back up into the sky.

And yet such fret did cross my face,
For to realize
The length still in the race
Placed teardrops in my salty eyes.

Then, in the midst of agony,
My Rubicon comes, and I resolve:

I must not quit,
Run, race the way,
Claw my way out of this pit!

And then one day,
Stand boldly up,
And humbly say:

"Time is done,
And I have crossed
The Finish Line." 
 


The Finish Line
(Part 2)

The day was won,
As many had;
Another gained:
A glorious fad!

Won, yet I,
Not really through,
Still saw
The dangers 
Lurking true.
And yet, such hope
Did fill my soul;
For to realize
The dragons God and I had slain,
Empowered me and gave me rest.

And with my newfound strength and pow'r,
I'll boldly take on each new hour,
Resolved beyond the tempter's snares,
I am equipped to meet all cares.

And so prepared and thus endowed,
My sword, once set in stone's
Allowed, to be drawn forth
From its sure place,
To help me fight
And win
The race—
To make it through
The night
With Grace.

That I might each day
Stand Boldly Up
And humbly say:

"As Time moves on,
I will keep on,
To cross each
Finish Line."  



Sonnet 16  
(Freedom)

Of all things in this world worth seeking,
One thing alone is of the greatest worth
To me, 'tis FREEDOM I am speaking.
For the man who has freedom on the earth,
Is a man richer than the kings of the East,
Yet he may or may not have much pelf
In his purse, yet Solomon did not feast
As he who managed, in spite of himself,
To sever fleshy inner bonds that hold
Most of mankind in such captivity
That they fain refuse the mountains of gold
Masked as the true gifts of eternity.
   Therefore, let he who seeketh true treasure,
   Give his fight 'gainst self an added measure.  


The Enemy Within

Once upon an azure dawn
Amidst the toiling years,
I rise from where I've laid upon
My bed of brewing fears.

'Tis not a fright of man or foe,
No! I know that I shall conquer such.
But in my mind and heart I know
It's facing me that hurts so much.

For things outside my world today
Are fairly simply beat,
But when the balance I do weigh,
I know the real feat—

Which lies in inward victory,
And mastering oneself,
In choosing my self-history,
That'll soon be on the shelf.

For other weary, lonely souls,
Who seek for guiding light,
While stumbling forth like newborn foals,
Squinting through rays so bright.

'Tis they who'll seek to hear of tales
Of noble souls that won,
Sweet vict'ry over life's sore gales
That blow 'gainst everyone.

Perhaps then if I do succeed,
And slay the beast inside,
I might shed light on others' need
To sacrifice their pride.  


Anything, not Everything

At rest I lay my head and think,
And dwell on past and here and then,
My mind in swells begins to sink,
Into a deepened trance again.

Which way to go, or where to turn?
Go high; go low; move fast; talk slow?
The perfect way, my soul doth yearn...
The undisputed way to go.

And yet this flawless way doth seem,
An all but lost and empty dream,
When on a thought my mind doth seize,
Of course I cannot all folks please.

Indeed, there's always room to grow,
And means to turn and tweak my show,
But God and I we both now know
I can't have all and thus must throw—

Away my wish to have it all,
And search for the one thing that's best,
And find what's mine, and take its call
Once and for all, I'll pass this test.

And by ignoring all that's left
I'll find the best will oft augment,
Eternal glories weight I'll heft,
And bask in all that God has lent.  


Edgar Allen Poe's The Bells
influenced the prosody of my poem, Waiting.
Waiting


     Waiting,
           Waiting,
                Waiting,
It is so excruciating,
And requireth my will,
To keep my restless being ever
     Still,
          Still,
               Still,
Just a hundred moments til,
I am released from this cell,
From this momentary hell,
From this state so stationary,
Where for now I'm doomed to tarry,
Midst this ennui that's so very
Hard to 
     Bear,
          Bear,
               Bear,
With a blank-faced glare I stare,
Wishing to be anywhere,
Except
     Here,
          Here, 
               Here,
Where I'm apt to shed a tear,
When I recognize and fear,
Standing fast along life's pier,
Ever
     Peering,
          Peering,
               Peering,
Out at all I won't be steering,
Life's events that are appearing,
As they're ever quickly nearing,
With the same old fate,
Granting me more time to wait,
Waiting much of every date,
For my
     Ship, 
          Ship, 
               Ship,
To come in
At a brisk and steady clip,
And rescue me from this pain,
From this throbbing in my brain,
Where my quest for patience
Seems in vain—
The ship that will 
Whisk me away,
Someday,
To a distant land, I pray:
A land where dreams 
Come
     True, 
          True,
               True,
Just a momentary view,
Of a land filled with such bliss,
I would never, ever miss,
The land of though and that and this,
Where everything of worth did
Cost such
     Time,
          Time,
               Time,
Where so often it's a crime,
To act on the inclinations of
The body's invitations,
Seeking only what my selfish heart
Wants
     Now,
          Now, 
               Now,
Sounding rather like a cow,
Grazing lazy all day long,
Mooing out an old kine's song,
Making no real progression,
Just an obscure bovine's session,
That's prelude to the concession
     Stand,
          Stand,
               Stand,
Where a score of burgers sizzle,
Midst a fall fair's soft light drizzle,
Where my zest's begun to fizzle
As I
     Think,
          Think,
               Think,
Again how waiting sure does stink,
Then I have a revelation,
Though I've got no inclination,
Yet a heav'nly invitation to
Just
     Chill,
          Chill,
               Chill,
Search each moment for it's thrill,
Even if the moment's dull,
Then I'll ask my will to pull
Some magic from the hat
Of my brain's bottomless vat,
Basking sweetly in the know,
That this moment soon will go,
And the better that I spend it,
The more worthily I'll wend it,
And transcend its aggravating,
And well-night excruciating,
To appreciate each moment,
Recognizing it's heaven sent,
An authentic gift from God,
I can do more than just plod,
If I'll hold on to the rod,
To make
     Every
          Moment
               Count...
E'en the ones when I just
     Waiting,
          Waiting,
               Waiting,
                    Waiting,
                         Waiting.*

* This poem's prosody was inspired by (an aurally mirrors) Edgar Allen Poe's The Bells.



Learn to Labor and to Wait is
Another example of Longfellow's
Influence on my work
Learn to Labor and to Wait
(4)

If I can only sit and wait,
My fondest dreams will be as dust,
When I compare my actual fate,
My grandest hopes will be mere rust.

If I can only hold my horses,
And let God work His way through me,
I'll master all required courses,
And sovereign of my world I'll be.

There's certain magic found in patience,
As I plod through life's course refining,
And though the wait costs years and months,
And often finds my soul repining.

Alas the prize for firm endurance,
Far outweighs the price tag's smart,
With sweet assurance at timely moments,
That God's a master of his scart.*

Help us then with firm conviction,
Sojourning through the agony,
Separating fact from fiction,
Ever learning to be free.  

* Scart is a portmanteau I created to describe the nexus of science and art.   



Freedom

To be free
Is to see
Into the realms of reality,
Whose next of kin's eternity.
Not the casual passer by's view,
But the glorious peering
Into what's really true.
Where real things
Prove they're real
By casting
Their everlasting presence
Outside the confines of time—
Whose rhyme
Is no rhyme at all,
But a harsh and grating
Dissonance
Excruciating to endure,
When one knows of the
Eternal Now.
Somehow,
This piece of knowledge, 
Like college in our
Existential journey,
Increases comprehension
Toward its steeped incline
And ceaseless grind.
Yea—
'Tis a taskmaster most demanding,
Where the freest of us all,
Remain yet in 
Chains
To test
Our best
The rest
Of
   The
      Way.  


You Choose

Anyone who'll work and wait
Ensures good fate.

Anyone who'll never quit
Avoids the pit.

Anyone who keeps their soul,
By never casting off their goal,
Sets up a plea
With Destiny
That's touched by God—
     Will You?
          Will Me?
I guess we'll see...
But this I know,
Though vague it be,
That all of us
Are Free
To be
The kind of man,
Or woman
We most would like to be.

And in the end,
Deep down
Everyone knows
That blame for failure always goes,
To each and every
Single Soul—
Whose free to choose
   To win
      Or lose
No matter how the battles rage.
Come wind, come storm, come ice and hail,
We'll always get our due earned wage,
E'en if not on this side of the veil.

Will YOU prevail?
Fly high
     And free?
To claim your earn'ed victory?
   And enter into destiny?
      Inside of God's eternity?

The choice is YOURS
   To win,
      Or lose:
YOU choose!


Leaders are Pleaders

Leaders are pleaders,
Yea, pleaders for hope.
Pleading hope won't
Reach the end
Of its rope.
Hoping that someday
We all will be one—
United, excited,
When all the work's
Done.


Less is More

Less is more,
And more is less,
Unless your less
Is not your best,
Or when your more's
Got too much zeal—
   And zest.
It's hard to tell,
Just when to yell,
Or when silence
Is just as well.
But balance 'tween
This paradox mean,
Perfects the soul,
Achieves its goal,
And wins the score
In store
For him or her whom
More is less,
   And
      Less is More.  


To Risk or Not to Risk?

While yet a lad,
I heard two men say—
"Son, Now listen good to me:
I've got the secret to success,
And I'll tell it ye for free."

My youthful eyes at once lit up,
And I proceeded to open my ears,
To hear the words each man would speak,
To guide all my forthcoming years.

Quoth the first,
"Now here's the shoulds:
To be a wise old chap,
You've got to stake and guard your goods,
And avoid all mishap.
And to find sweet peace of mind,
Ye've got to play is safe,
And if ye do yer sure to find
You will avoid life's chafe."

"Take it from me," he said with a glance,
"Life will take advantage of you,
So mark every step, and doubt every chance,
And trust no one e'er to be true.

"Life's a jungle, a zoo! And the wisest of all
Know that each man must have his own back!
Keep your heart closed within, or you surely will fall
Into love—a most dangerous track!"

Quoth the other quite glumly,
But clearly more humbly,
As side-to-side his head he shook.
"What is this fool thinking?
What has he been drinking?
He's been reading from all the wrong books!"

Then turning to me, with his eyes all a-twinkle,
And mirth rising out from his soul,
H grabbed me with both hands, his smile marks a-wrinkle,
To point me towards a different goal. 

Said he,
"My boy, lookee here now, be clean and be pure,
Yesiree! but once ye've got that down,
Stand right up to fear, cold, sweat, blood, and manure,
And take some bold risks in this town!

"Be smart, Yes! And learn every time that ye err,
But please don't ever let a slip,
Give you a spineless soft cowardly stare
To pass over tongue, tooth, and lip.

"Be kind, but audacious; let no one detract
From your heart's authentic desire,
For playing it safe will only subtract
From the size, heat, and strength of your fire.

"By playing life small you've got no chance at all
Of living your life's fullest worth,
You've gotta awaken to your life's truest call,
Then hearken to it from your birth."

I thought and I listened and pondered and mused,
But I'll admit not for really too long.
For it seemed that the first man was rather confused,
While the second had struck truth's bright gong!


A Conditional Ode to Deconstruction

Deconstruction, oh that stuff—
It's enigmatic and it's tough!
I guess that's cuz it asks the brain
To reach and grasp for what's not plain.

For in the text you'll often find,
You'll get perplexed, you'll stretch your mind,
To seek for what's not plain to view,
And discern an unwritten cue.

But that's the key as you explore,
And open deconstruction's door,
You look in places never scanned,
For diamonds hidden in the sand.

But do beware lest you get trapped,
In deep black holes that can't be mapped.
Deconstruction's only helpful if
It is well kept in perspective!


Along the Chattahoochee

Along the Chattahoochee
I take a lonely walk—
Or maybe just a walk alone
With my thoughts,
   And my angst,
      And my reason,
And hopefully God
   Tagging along.
If only I were better able
To receive the gifts
He has here for me here
   In Nature.
I think it would be fine enough
If only I could feel what my
Thoughts reveal.
Then I'd be content.
But, as it is, I must
Save the scene for another day,
When God let's me congeal
What I think
   And feel,
Not merely calculate
   Or count,
But actually experience joy:
That's the day the real me
Will finally be.  


Why I Live Down South

Way up north it gets real cold,
And snow it likes to fall,
It chills my bones, makes me feel old,
And likewise freezes all.

That's why I live way down beneath,
The Mason Dixon Line,
Where I avoid the chatt'ring teeth,
Midst oak and palm and pine.

Plus folks down here are mighty kind,
And Dixie dames are pretty,
Perhaps someday I might just find
A Southern Belle to marry.

So 'tween weather, friends, and purty Belles,
I think I'd like to stay,
The South and me's a mix that jells,
I think I'm here to stay!  


The Journey

When you think that you've made it,
Arrived at the top,
Climbed out of that pit,
Never failing to stop;
Then you rest and you grin,
And you think you're so clever—
You knew all along you would win—
However,
That grin soon erases
When downward you slide,
And find yourself slowly
Being dragged through your pride,
Then back once again
To another deep hollow
You aimlessly look
For some fellow to follow,
But find none as you
Soon begin to wallow
In pitiful,
   Pathetic,
      Pity—
A sight that is shameful,
A view that's not pretty,
But wait just a moment...
You were freed once before,
You once broke down that door,
Perhaps one time more
You could exit the pit,
Through a lot of commitment
And plenty of grit!
YES: you'll get back on top,
Though it takes you all day,
There's none who can stop you,
'Xcept YOU—
So get out of your way!

Then out of that pit once again you will climb
Straight up to the top
Midst the music and rhyme—
Yes, the rhyme; oh that rhyme
It is always repeating—
You say to yourself
Your heartstrings a-beating
The message for me
In that well rhym'ed key
Is a prelude to my next
   Hard earned
      Sweet Victory.

You never will stop,
   Oh never
      No never 
         Til you've reached the Top.

Then once at the top
You'll help others to climb,
By stretching,
   And lifting,
       And repeating
The rhyme.
The same one that you heard
And rose on its wings,
You'll echo its wonders
As a sweet songbird sings,
To each rising comrade
In need of your voice,
To strengthen each fellow
Whose made the right choice,
To follow your footsteps,
And rise to the top,
By following the maps
Down to them that you drop.
And as each one ascendeth,
Your glory grows greater,
Past sins are a'mendeth
Here, now, and not later.
And then when all have
Made their ascent
And are ONE—
   The joy of the journey
      Will fully be won.  


Sweet Sleep

May your sleep be sweet as sugar,
Resting lightly on your brow,
May your heart be filled with splendor,
Gleaned from here and then and now.

May your dreams be filled with wonder,
As you lie there soft and still,
May nightmares be torn asunder,
By a sweet dream's sovereign will.

And amidst these fancies find:
Pleasant pictures, thoughts and things,
All of which to fill your mind,
With all good things the Sandman brings.

Then when morning's air draws nigh,
You shall find yourself renewed,
And without a doubt or sigh,
Find your day with joy imbued.  


With my Mama, age 7
Mesa, Arizona
Circa 1986
Reflections on Childhood

A place called home, what does that mean?
Where I was born... and though it seems,
There's so much more, no static stream,
My life's full tale flows like a dream.

The place of youth's defining start,
That first did pluck the strings of heart,
Midst family's boon, my soul caressed,
A safe cacoon?  My future blessed?  

And though such innocence did lay,
The seedlings of a different day,
Where I would see beyond the kiss,
Of youth's veneer: it's joys and bliss.

Into a far more different type,
Of my life's stage beyond the hype,
Toward daily stress, the pain and stripe,
That gradually helps me grow ripe.  

Click HERE to buy this BOOK
I move away, my mind expands,
I see my start in different lights,
Yet it stays etched into the sands
Of my heart full of sheer delights.  


Dr. JJ

June 14, 2023
Palm Beach Gardens, Florida, USA


Author's Note: This is the 326th Blog Post Published by Freedom Focused LLC since November 2013 and the 151st consecutive weekly blog published since August 31, 2020.   

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Notes:

1. Longfellow, H.W. (1912). The Poetical Works of Longfellow. London: Henry Frowde Oxford University Press. Page 3.

2.  The Book of Mormon (2 Nephi 2:11).

3.  Peck, M.S. 1978. The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth. New York, NY: Touchstone. Opening lines of Chapter 1.  

4. Final line of Longfellow's poem, A Psalm of Life.

Wednesday, May 31, 2023

Mentoring Psalmists


Artists of all kinds grant credence to the reality of one's
MUSE in obtaining inspiration for one's best work.
 

Chapter 3


Mentoring Psalmists




No Poet is an Island (1). 

Aside from the celestial assistance of one's Muse, to Whom I gratefully acknowledge for the inspiration, organization, and perhaps most importantly—the timing—of my work, all are indebted to erstwhile bards of the mortal variety, whose genius, along with the help of their own Muses, infiltrated their souls with the rhythms and rhymes, features and forms, messages and meanings that strike living, breathing, artistic chords within and without for the benefit and blessing of others and the joy and satisfaction of oneself.   

Such literary resonances infuse many newcomers, like myself, with a penchant for poetical procreation. Some fledgling artists seek to spawn their own, unprecedented, original forms into the compositional cosmos. Others are more content with carrying on within the confines of conventionality. Star struck by the augustness of the orthodox traditionalists, I seek to build upon the firm foundations of former times in an attempt to extend the reach and power of antiquated templates into original, contemporary offerings.

This approach seems appropriate in light of the anthologist Dana's Gioia's remarks that:

"Poetry ... achieves its characteristic concision and intensity by acknowledging how words have been used before. Poems do not exist in isolation but share and exploit the history and literature of the language in which they are written. Although each new poem seeks to create a kind of temporary perfection in and of itself, it accomplishes this goal by recognizing the reader's lifelong experience with words, images, symbols, stories, sounds, and ideas outside of its own texts" (2).  

Readers of my poetry will notice certain prosodic and thematic similarities to the work of Shakespeare, Wordsworth, Longfellow, Dickinson, Poe, Frost, and other English language masters of the past 500 years. If imitation is the highest form of flattery, then flattering my mentors has been and will likely continue to be my cherished poetic pastime. 

A Contemplative Wordsworth
Some of my imitation is undoubtedly the result of my own poetically nascent voice—one that is still developing and maturing—a voice that seeks to create new art from old templates that have, in my lowly opinion, already been perfected. 

On the other hand, some of my imitation is both explicit and intentional, such as my inverse echo of Wordsworth's sonnet: The world is too much with us, where I invoke a philosophical conversation across the centuries while simultaneously conducting self-psychotherapy aimed at improving my own mental hygiene as I pontificate and versify on the counterintuitive woes of the world being not enough with me, NOW

In other instances, I have precisely aped the rhythm and/or rhyme of a given poem from the past with my own new language and message simply because I adore the prosodic patterns of a given piece.

It is my own way of paying homage to the grand ole masters.

The Granddaddy of them all... 
And the Master General of Sonnetry
 
I also hearken back to the Romantic Poet's pattern of apostrophically truncating words to maintain a set syllabic count per line. Finally, I adhere to Shakespeare's precise rhyming scheme—ABAB, CDCD, EFEF, GG—for virtually all of my sonnets.

In my mind, what is the use of attempting to improve upon an already perfect template? If an engine is already ideal, why not further utilize it to craft new messages with meanings for the benefit of contemporary readers?

On the pages that precede and follow, I list some of the poets who have influenced both my philosophical musings and poetical compositions. While certainly not a comprehensive list of bards who have influenced my life and career, it does provide a meaty sampling of the best-of-the-best I have been blessed to be mentored by.

Longfellow in middle-age ~
the days before his iconic white beard.
The foremost of these mentors is, of course, Henry Wadsworth Longfellow, who was born in Portland, Maine in 1807. Longfellow was educated at Bowdoin College—the same Bowdoin College that one of my historical heroes, Joshua Lawrence Chamberlain, would preside over five (5) decades after Longfellow attended there as a student. In fact, President Chamberlain would invite Longfellow back to Bowdoin as a guest speaker in 1875 as part of the 50th Anniversary of he and his colleagues 1925 graduation.  

Click HERE to read more about Joshua Lawrence Chamberlain in A Civil War Miracle.   

After Bowdoin, Longfellow spent two decades on faculty at Harvard before retiring to write full-time, although he would continue to live in Cambridge for the rest of his life. Unlike many traditional poets—then or now—Longfellow's poetry was enormously successful, bringing him unusual quantities of fame, financial remuneration, and literary acclaim.

Despite enjoying this dreamy career filled with accolades, attention, honor, and money, he faced great trials in his life, most notably of which were the deaths of both his first and second wives. The first, Mary Potter, passed away from a miscarriage after only a few years of marriage. He pursued his second wife, Frances (Fanny) Appleton for seven (7) long years before she finally agreed to marry him. They had six (6) children together. Tragically, however, Fanny would pass away 18 years later due to complications incurred from a tragic accident involving her dress accidentally catching fire. Longfellow's grew his trademark (and very famous) beard in part to cover scars he incurred himself while trying to save his wife from the flames. Both of these deaths deeply scarred Longfellow, and Fanny's tragic accidental death was particularly devastating to him.

Abraham Lincoln and his Cabinet preparing
the Emancipation Proclamation
Eighteen (18) months after Fanny's death, in 1863, President Abraham Lincoln issued the Emancipation Proclamation, ending slavery throughout the United States wherever the Union Army had control. An abolitionist, Longfellow welcomed the news. He also sought for an amicable reunion of North and South following the war.

During the war, he composed one of his most famous poems—I Heard the Bells—which was later put to music by John Baptiste Calkin (1827-1905) and has since become a popular Christmas Carol. Longfellow composed the poem on Christmas Day in 1863, shortly after his son, Charles—a Union soldier—had been wounded in combat in Northern Virginia. A full-length feature film—I Heard the Bells—was released in 2022 capturing this moving story in the life of Longfellow and his family. 

Click HERE to watch the movie trailer for I Heard the Bells about Henry Wadsworth Longfellow.

An elderly Longfellow
as he is typically remembered
In 1875, at the fiftieth reunion of his graduation from Bowdoin, he was invited to speak at the college by the famed, former General and hero of Little Round Top at the Battle of Gettysburg—Joshua Lawrence Chamberlain—who was President of Bowdoin at the time. Longfellow composed and read an original poem for the occasion: Morituri Salutamus.

Outliving his beloved Fanny by over two decades, Longfellow passed away at his home in Cambridge, Massachussetts in 1882 at age 75. He was buried next to his two wives.

Longfellow's dearth of contemporary critical acclaim is contrasted by his enormous success and popularity during his own life—and well after. In the words of Dana Gioia:

"[Longfellow] is ... not an author for ambitious [contemporary] critics to write about. Few recent books on American poetry mention Longfellow except in passing; [and] almost none discuss him at any length. ... 
"[In his own day, however] Longfellow was not merely the most popular American poet who ever lived, but he also enjoyed a type of fame almost impossible to imagine by contemporary standards. His books not only sold well enough to make him rich; they sold so consistently that he eventually became the most popular living author in any genre in nineteenth-century America. ... 
"[And his] fame was not limited to the United States. He was the first American poet to achieve an international reputation. England hailed him as the New World's first great bard. His admirers included Charles Dickens, William Gladstone, ... [and] the the British royal family and their notoriously anti-American poet laureate, Alfred Tennyson. ... In England, he eventually outsold Tennyson and Browning. ... 
"Three years after his death Longfellow's bust was unveiled in the Poet's Corner of Westminster Abbey, the first and only time an American poet has received this honor. [Moreover, his] popularity did not prevent him from receiving the esteem of literati; in his lifetime they generally regarded him as the most distinguished poet America has produced. ... 
"[To top it all off] Longfellow's fame was not merely literary. His poetry exercised a broad cultural influence that today seems more typical of movies or popular music than anything we might imagine possible for poetry" (3).

Longfellow in his study
Cambridge, Massachusetts
Circa 1870s
Regardless of his lack of contemporary critical acclaim or popularity, there are reasons why Longfellow remains one of the most oft-quoted poets in American history. It is my hope that this work will influence and promote a return not only to the reading, studying, memorizing, studying, and cherishing of Longfellow and his work, but of others like him from both yesteryear and more recent times. I reiterate here the cogent reminder of Cook: there remains a "Great need" for poetry in our "age of science" (4).

I am no Shakespeare, Wordsworth, Keats, Longfellow, or Poe. Nevertheless, it is my hope that perhaps some of the simple and heartfelt lays that have gushed from [the] heart of this humbler poet, might nonetheless find an audience seeking something similar amidst the craziness of our metamodernist era—so full-to-overflowing with chaos, cacophony, and crassness.

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In so doing, I hope in some small way to satiate longingssoothe restless feelings, and banish the cares of readers along their own great journeys through love and life. I also hope to poetically elucidate some of the private, psychological hell I've battled—and continue to battle—throughout my career and life. Perhaps some of this verse will encourage and inspire others to noble actions, habits, dispositions, humility, and endurance along the circuitous corridors and precarious pathways of their own life's treacherous journey (5). 


Dr. JJ

May 31, 2023
Palm Beach Gardens, Florida, USA


Author's Note: This is the 324th Blog Post Published by Freedom Focused LLC since November 2013 and the 149th consecutive weekly blog published since August 31, 2020.   

Click HERE for a compete listing of the other 323 FF Blog Articles 

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Notes:

1). An allusion to the poet John Donne's famous words: "No Man is an Island, entire of itself, every man is a piece of the Continent, a part of the main; if a clod be washed away from the sea, Europe is the less, as well as if a Promontory were, as well as if a Manor of thy friends, or of thine own were. Any Mans death diminishes me, because I am involved in Mankind; And therefore never send to know for whom the bell tolls; It tolls for thee."  Donn, J. (1990). Ed. Booty, J. John Donne: Selections from Divine Poems, Sermons, Devotions, and Prayers. Paulist Press.  

2. From Dana Gioia's article: The Poet in an Age of Prose. Can Poetry Matter? Essays on Poetry and American Culture. St. Paul, MN: Graywolf Press. 1992. Page 221. 

3. From Dana Gioia's article, Longfellow in the Aftermath of Modernism. Disappearing Ink: Poetry at the End of the Print Culture. (2004). St. Paul, MN: Graywolf Press. Pages 53-54, and 57. 

4. Cook, R.J. (Ed.) (1958). 101 Famous Poems: With a Prose Supplement (Revised Edition). Chicago, IL: Contemporary Books. Preface (no page number). 

5. Italicized words can be found (verbatim or paraphrased) in Longfellow's poem, The Day is Done.  

Journals of Rex Buckley Jensen

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